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CALCUTTA K S KRISHNAMURTI - A LIFE IN MUSIC Ram Aslesha |
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Calcutta K S Krishnamurti, who died on 16th May
1999 in Chennai, was a Carnatic musician who made an impression more as a guru than as a
performer. He was also an insightful composer. Born in December 1921, he belonged to Kallidaikurichi in Tirunelveli district, but acquired the prefix of Calcutta since he lived and worked in that city for many years. He was popularly known merely as KSK. |
1972: KSK receiving a memento from sabhanayaka S Ramakrishnan |
He had his school education at the Hindu High School in Triplicane, Madras. There one of
this teachers was G V Narayanaswamy Iyer, father of G N Balasubramanyam. Perhaps it was
this association that that kindled KSKs interest in music. Even then, his plan was
to study mathematics, but he switched to music at the last moment when Tiger
Varadachariar, then a key member of the faculty of the music college of Annamalai
University, who had seen KSK before, persuaded him to do so. |
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Calcutta K S Krishnamurti |
In the early nineteen fifties, the Carnatic music arena in Madras, in fact in virtually all areas of the South, was dominated by stalwarts who had captured the imagination of the listening public during the thirties and the forties. It was difficult for talented youngsters to compete with them for performing space. Possibly this was one of the factors that made KSK to migrate to Calcutta which he made his home for the next decade and a half. There he taught music to a number of boys and girls, of whom only a few had any intention of pursuing a career in music. But this contact was enough to arouse his creative instincts. He presented many thematic programmes based on the songs of great poets, setting them to music himself and featuring his students as performers. More importantly, he went beyond being a tunesmith to wear the vestments of a vaggeyakara and compose both the dhatu and matu, initially for Varnams and later for some other song forms as well. Altogether, KSKs stay in Calcutta could be deemed fruitful, though he himself was less than fully satisfied with his musical there for, at bottom he wanted to succeed as a concert artiste as well. |
He told an interviewer not too long ago that he did not have a successful concert career
because he stayed in Calcutta in the prime of his life. During that time he did get some
performance opportunities in the South, but generally the Sabhas concerned found the
financial burden arising from the travel costs unacceptable. Even later, he did not get
many opportunities to give performances. After being associated with stalwarts like
Sabhesa Iyer, Tiger, Ponniah Pillai and Muthaiah Bhagavatar, he explained , I
could never ask anyone else for a favour. I though this was a very demeaning thing for me
to do, but I dont think I have been haughty
In the event, I do have pent-up
emotions about not performing enough.
Back in Madras, his career continued on the same lines, with teaching rather than concert performances as the mainline. During the seventies, he was mostly in the shadows, collaborating quietly with Lalgudi Jayaraman for some years. He entered public life, however, when he was conscripted to teach music at the Rishi Valley School in Madanapalle, Andhra Pradesh. |
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In the eighties he served Kala Peetham, a private institution offering courses in music and dance., Later, private tutoring picked up momentum, with many youngsters who had entered the concert arena seeking his help in expanding their repertoire and finding in him a source of expert guidance on musical aspects as well. His own son K K Ravi, a young musician who had trained under Lalgudi Jayaraman as a student in residence for 12 years, was active in the newly established Youth Association for Classical Music (YACM) and this possibly led other young musicians close to him to discover the guru in unpretentious KSK. |
KSK with G B Doraiswamy (son of GNB) |
KSK drew young musicians again to the lecture - demonstrations he was asked to
present by various organizations, especially during the annual season. He also
conducted what are called contact classes for students enrolled in the
correspondence course in music organized by the Department of Music of the University of
Madras. KSK became associated with Sruti magazine as Senior Editor soon after the tragic demise of K K Ravi, his only son. This association, which continued till his own demise, and the key role he played in a study of the music of G N Balasubramanyam, undertaken by the Sruti Foundations Special Projects Division, helped to steady his life after he was left completely shaken by his son's sudden death in a far-off land. KSKs disciples adored him and some officials of the Music Academy of Chennai, aware of his credentials, tapped his talents, although not in any major way. They as well paved the way for his admission into the Academys Advisory Committee. The first break for KSK, in terms of public recognition, came when the Sruti Foundation took the intiative to organize a felicitation function at which he was conferred, on behalf of other musicians and rasikas at large, the title of Sangeeta Kala Nipuna. This was on the second day of the two-day public presentation on the music of GNB, in December 1992. Wider recognition followed. The Narada Gana Sabha and Kapali Fine Arts honoured him. And, at the end of the 1998 annual conference, the Music Academy conferred on him the title of Sangeeta Kala Acharya, most fitting considering that KSKs true vocation was as a teacher. KSKs health was a matter for perennial concern. He was in and out of hospital for several years. But he soldiered on nevertheless. He said he wanted to be active as a teacher until he received the final call. And he was - he conducted classes even the day before he was taken to the hospital where he breathed his last after hovering about a week in the twilight zone between life and after-life. Lalgudi on KSK
Courtesy: Sruti Magazine |
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Posted on 19th May 2001 |
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